Tuesday, March 24, 2009

the prisoner of zenda 1922 film

he narrator is twenty-nine year old the Hon. Rudolf Rassendyll, younger brother of the Earl of Burlesdon and (through an ancestor's sexual indiscretion) a distant cousin and look alike of Rudolf V, the soon-to-be-crowned King of Ruritania, a "highly interesting and important" [1] Germanic kingdom somewhere imprecisely between the German and Austrian Empires. Ruritania is, like Germany and Austria-Hungary at that time, an absolute monarchy. Rudolf Elphberg, the crown prince, is a hard-drinking playboy, unpopular with the common people, but supported by the aristocracy, the Catholic Church, the army, and the rich classes in general. The political rival to this absolute monarch is his younger half-brother Michael, Duke and Governor of Strelsau, the capital. Michael has no legitimate claim to the throne, because he is the son of their father's second, morganatic marriage: there are hints, from his swarthy appearance (he is nicknamed Black Michael) and Rassendyll's elliptically referring to him as a "mongrel", that he may have Jewish ancestry. Michael is regarded as champion of Strelsau's working classes, both the proletariat and the peasants, and of what Hope refers to as the criminal classes. The novel seems sympathetic, however, with those who would support the dissolute despot, King Rudolf.

When Michael has Rudolf drugged, abducted and imprisoned in the castle in the small town of Zenda, Rassendyll must impersonate the King at the coronation. There are complications, plots, and counter-plots, among them the schemes of Michael's mistress Antoinette de Mauban, and those of his villainous henchman Rupert of Hentzau, and Rassendyll falling in love with Princess Flavia, the King's betrothed. In the end, the King is restored to his throne — but the lovers must part.

[edit] Adaptations

The novel has been adapted many times, mainly for film but also stage, musical, operetta, radio, and television. Probably the best-known version is the 1937 Hollywood movie. The dashingly villainous Rupert of Hentzau has been played by such matinee idols as Ramon Novarro (1922), Douglas Fairbanks, Jr. (1937), and James Mason (1952).

  • The Prisoner of Zenda (1895-96), was co-written by Hope and Edward Rose. It opened as a play in New York in 1895 starring E. H. Sothern and the next year on the West End in London.
  • Colman, Smith and Fairbanks reprised their roles for a 1939 episode of Lux Radio Theatre, with Colman's wife Benita Hume playing Princess Flavia.
  • Zenda (1963), a musical that closed on the road prior to a scheduled opening on Broadway. Adapted from the 1925 Princess Flavia.

[edit] Homages

Many fictional works that feature a political decoy can be linked to The Prisoner of Zenda; indeed, this novel spawned the genre known as Ruritanian romance. What follows is a short list of those homages with a clear debt to Anthony Hope's book.

  • The 1902 short story "Rupert the Resembler" is one of the so-called New Burlesques, a comedy parody by Bret Harte, full text [1].
  • Dornford Yates acknowledged Hope's influence in his two novels Blood Royal (1929) and Fire Below a.k.a. By Royal Command (1930) which were set in the Ruritania-like Principality of Riechtenburg.
  • The 1965 comedy film The Great Race included an extended Zenda-like subplot, including a climactic fencing scene between Tony Curtis and Ross Martin. Curtis swims the moat, scales the wall, and despatches the guards, activities that Ronald Colman performs in the 1937 version of The Prisoner of Zenda.
  • The Zenda Vendetta (TimeWars Book 4) by Simon Hawke (1985) is a science fiction version, part of a series which pits 27th century terrorists the Timekeepers against the Time Commandos of the US Army Temporal Corps. A Commando is the hero, and Antoinette's rôle is adapted as a Timekeeper dominatrix.
  • Emma, a manga series released from 2002 -2007, references The Prisoner of Zenda in chapter 37, which gives an overview of the plot as one character reads the novel.

[edit] Legacy

In a popular, but very questionable account, a German circus acrobat named Otto Witte claimed he had been briefly mistaken for the new King of Albania at the time of that country's separation from the Ottoman Empire, and that he was crowned and reigned a few days. However, the date of this claim (1913), and the lack of any evidence to back it up, suggests that Witte made up his story after seeing the first film version of the novel.

Author Salman Rushdie cited The Prisoner of Zenda in the epigraph to Haroun and the Sea of Stories, the novel he wrote while living in hiding in the late 1980s.

The 1956 novel Double Star, by Robert A. Heinlein, shares plot elements with The Prisoner of Zenda.

[edit] See also

[edit] References

  1. ^ chapter 1
  2. ^ The Brits in Hollywood Sheridan Morley, Robson Books 2006, p. 161, ISBN 978-1861058072
  3. ^ VideoHound's Golden Movie Retriever 2008, Visible Ink Press 978-0787689810
  4. ^ Halliwell's Top 1000, John Walker, HarperCollins Entertainment ISBN 978-0007260805
  5. ^ a b Halliwell's Film Guide 2008, David Gritten, HarperCollins Entertainment ISBN 978-0007260805

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